痞子高手

　　影片由实力派演员张子夜、网络人气宅男女神陈大榕及孙爽领衔出演，其中张子夜曾出演过《铠甲勇士》等中大反派等人气角色，孙爽也在《世界上另一个我》中有过出色的表演。片中，三位街头小混混遭遇变性，在被追杀逃命的旅途中，结识了正义警探。当片中王一航饰演的女版沐春被不良团伙绑架后，作为江湖儿女的阿鹰展现出了重情重义的江湖气概，最终挫败了黑恶势力的邪恶计划。

　　影片讲述的是父母外出打工的儿童张翰祥与奶奶两人在老家相依为命，随着年龄的增长，张翰祥越来越思念自己的父母，也越来越向往城市的生活 ；直到遇见从城里来乡下过暑假的女孩依依，张翰祥和小伙伴张子乐一边听着依依描述的城市生活，一边带依依体验农村的快乐时光；暑期结束后，依依和好朋友张子乐都相继去了城里，张翰祥也变得更加懂事成熟，不久后张翰祥的爸爸回来要将他接去城里生活，一边是父母照顾和城市生活，一边是与自己相依为命的奶奶，张翰祥的内心陷入了重重矛盾 。从调皮捣蛋到懂事乖巧，孩童的成长往往只在一瞬间，但成长之后所要承担和面对的，却是不属于这个年纪残酷的现实，留守儿童问题又一次引起社会关注。

　　以“积案追逃”著称的刑警朱智龙屡破大案，唯独面对在逃十八年的梁福友，始终难以释怀。一起疑点重重的强奸案，更是将当年案件双方子女牵涉其中。重重压力下，朱智龙不屈不挠，由一个微弱的线索开始，抽丝剥茧，凭借胆识和魄力将真凶缉拿归案。

　　Mr. North, a stranger to a small, but wealthy, Rhode Island town, quickly has rumors started about him that he has the power to heal people's ailments. The rumors are magnified by his tendency to collect negative charges and give shocks to anyone he touches. In his adventures he befriends an old man who is a shut-in and helps him rediscover the world.

　　男人如海，远飏漂浪；女人是树，荫蔽家园。这是一则反溯家族记忆的私密创作，从最初两人的深情往复书简，顺此而成的生命诞造，以及其后伴怀自然、温柔照料的哺育子女。在女人温柔如巨树分枝的照料之下，孩子如鸟，学习飞翔，体会那苍穹万物。但在巨树倒下的一刻，雏鸟被迫变形成长，从此在漫长失亲的岁月里，想念至亲、凭悼失落的自己。
　　以印象派画风为骨干，佐以16mm 胶卷的有机颗粒影像，新锐导演瓦斯康丝勒借着家族物件、亲录原声，与戏剧式的重建演出，爬梳家族父执辈几尽失落的记忆。她邀请家人亲身参与演出，对应不同人声的旁白，以音划分离营造出想像空间，让全片在深刻幽微的生命沉思下，拥有轻盈的流动感，组成一出构图如画、探讨永恒的喧嚣疗愈之作。

　　Paternity Leave, directed by Matt Riddlehoover, is a romantic comedy slated for release in 2015. Greg (Jacob York) finds out that he's pregnant with his partner Ken's (Charlie David) baby. Dumbstruck by the news, their relationship takes twists and turns through hardship and hilarity, while we're left wondering if they're going to make it through the most unexpected and difficult period of their lives together.

　　钟童卉是一个默默无闻的平面模特，幼年时曾目睹母亲自杀，从此噩梦缠身。某天工作间隙，童卉接到了一封神秘的葬礼邀请信，死者是童卉的富豪姨妈。童卉来到了姨妈的偏僻豪宅，认识了隔壁温文尔雅的方太太，还结识了同来参加葬礼的帅哥李百乐。与此同时，母亲自杀时的场景又在童卉的噩梦中出现，更可怕的是，卧室的浴缸里渗出了血水。童卉随李百乐悄悄调查，看到姨妈的房间像是仍有人住。童卉的疑惑日渐增多，唯有李百乐的陪伴是她唯一的安慰。某日两人散步时却路遇一对歹徒，歹徒骂李百乐忘恩负义，改名换姓做起小白脸。当歹徒将李百乐的戒指抢走时，李百乐顿时像是换了一个人，他的眼神里露出惊恐和无奈，嘴里蹦出一个词：救我！

　　血债血偿，为母则强。藏身阿拉斯加荒野多年后，一名专业杀手重出江湖，营救她心心念念，却不得不抛下的女儿。

　　这部极为豪华的古装剧以1866年春天，意大利和奥地利发生冲突前夕为历史背景。描写了一名意大利贵族妇女Countess Serpieri  ，背叛自己的婚姻和国家，不顾一切爱上了俊美而乖戾的奥地利军官Lieutenant Franz Mahler，两人爱得轰轰烈烈，但时代已经发生巨变，最终酿成悲剧。

　　平凡的大三学生淳平（王辰昊 饰），梦想是成为一名导演。有一天，他在天台邂逅了一位穿草莓图案内裤的少女，对其夕阳下的身影一见钟情，但却不知少女的真实面貌和身份。在身边好友的推断下，淳平认为这草莓图案内裤的主人应该就是学校的风云人物西野（敦婧怡 饰）。在这过程中，淳平又先后认识了性格各异的东凌（任祉妍 饰）、北月（郭雪萌 饰）和南宫（臧雨丝 饰）。而谁是草莓内裤的主人则越来越让淳平分不清。热爱读书的东凌写了一部名为《荷尔蒙》的小说，淳平决定在大学的最后一个暑假把其用DV记录下来。在这个夏天，淳平与这四位女孩度过了最温柔最缠绵也最纠结的夏天，最终，淳平能否实现其梦想，而东南西北四个方向四个女孩，淳平选择的道路又是哪条？
　　本片改编自河下水希创作的同名漫画《草莓百分百》，是青年导演张内咸自《待业青年》后的第二部作品。

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,