439
5.0

西北西

导演:
中村拓朗
主演:
韩英惠,萨赫勒・罗萨,山内优花
别名:
未知
5.0
439人评分
日语
语言
2018-09-15
上映时间
未知
片长
简介:
一群年轻人,挣扎于不安的生活,对前途的迷茫。Kei与爱人Ai的关系有了一种不安全感,当她遇见伊朗学生Naima后,Kei重新思考自己的生活。看到Naima如此真实和虔诚的对待自己的生活,Kei受到影响,自己的生活也开始有所变化。
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寅次郎的故事38:知床旅情
622
3.0
HD中字|国语
寅次郎的故事38:知床旅情
3.0
更新时间:昨天18:18
主演:渥美清,倍赏千惠子,竹下景子,下条正巳,三崎千惠子,前田吟,太宰久雄,佐藤蛾次郎,吉冈秀隆,关敬六,尾形一成,笹野高史,冷泉公裕,赤冢真人,油井昌由树,坂本长利,牧野佐代子,须磨启,美保纯,笠智众,淡路惠子,三船敏郎
简介:

  第38集《知床恋情》(Tora San goes north)
  导演:山田洋次
  原著:山田洋次
  剧本:山田洋次、朝间义隆
  主演:渥美清、倍赏千惠子、竹下景子、淡路惠子
  制作:松竹影业
  出版日期:1987年8月15日
  片长:107分钟
  票房:207万人
  剧情
  在旅途中,阿寅随着老医生的车来到了他住的村子,老人只有一个女儿玲子,因为她嫁给了一位来自东京的平庸的男人,老人看不上这个人,所以自从玲子出嫁后,她就没有回过家。现在她结束了这段婚姻,回到了父亲身边,和性格怪异的父亲重新见面,幸亏有阿寅在一旁缓和气氛,父女二人才没有争吵。对于这位老人,大家都敬重他,却也拿他的坏脾气没有办法。平时只有酒吧里的阿姨在照顾他,而他却始终说不出心中的真爱,阿姨几乎要放弃了。在阿寅的帮助下,他们利用野餐会的机会,使老人终于表白了内心,留住了想回家乡的阿姨。玲子在东京找到了工作,她来到寅屋,见到了那里的热心人。

1011
1987
寅次郎的故事38:知床旅情
主演:渥美清,倍赏千惠子,竹下景子,下条正巳,三崎千惠子,前田吟,太宰久雄,佐藤蛾次郎,吉冈秀隆,关敬六,尾形一成,笹野高史,冷泉公裕,赤冢真人,油井昌由树,坂本长利,牧野佐代子,须磨启,美保纯,笠智众,淡路惠子,三船敏郎
罗马风情画
220
5.0
HD中字
罗马风情画
5.0
更新时间:昨天18:21
主演:彼得·冈萨雷斯·法尔孔,Fiona Florence,Britta Barnes,Pia De Doses,Marne Maitland,Renato Giovannoli,伊莉莎·马邑纳德蒂,Stefano Mayore,Galliano Sbarra,安娜·马尼亚尼,Ginette Marcelle Bron,戈尔·维达尔,Marie Párová,Alfredo Adami,Sbarra Adami,Aristide Caporale,小费奥多尔·恰利亚平,丹尼斯·克里斯托弗,弗兰科·奇蒂,Dant
简介:

  这不是一部普通的纪录片,而是透过意大利电影大师费德里克.费里尼独特的艺术家眼光为罗马古都写出来的一篇个人回忆录。全片打破传统叙事手法,以现实与超现实场面交叉穿梭进行,渗入了大量的幻觉和回忆,充分表现出费德里克.费里尼个人对罗马的爱恋,也让观众看到了这个城市隐蔽着的另一面。男星彼得.龚扎莱斯在片中饰演年轻时代的费德里克.费里尼,而费德里克.费里尼则演出他自己,在片中可以看到马戏团对费氏作品根深蒂固的影响。也可以从中揣摩出费尼电影风格的一些基本特质,喜爱他的影迷不容错过。

3440
1972
罗马风情画
主演:彼得·冈萨雷斯·法尔孔,Fiona Florence,Britta Barnes,Pia De Doses,Marne Maitland,Renato Giovannoli,伊莉莎·马邑纳德蒂,Stefano Mayore,Galliano Sbarra,安娜·马尼亚尼,Ginette Marcelle Bron,戈尔·维达尔,Marie Párová,Alfredo Adami,Sbarra Adami,Aristide Caporale,小费奥多尔·恰利亚平,丹尼斯·克里斯托弗,弗兰科·奇蒂,Dant
不安分的年轻人们
165
2.0
已完结
不安分的年轻人们
2.0
更新时间:昨天18:19
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
1324
1958
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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